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or sister right next to us. no one with could be closer. there is that pull. that pull is so powerful. it was a love story, always. >> do you think you knew that before you started writing this? >> i knew i had to be as close to my brother as i could possibly be. i am sure that pull is part of it. >> you have a daughter and stepson as well? >> i have 1 daughter and 1 stepson who i am close to. >> has this changed how you are around them as well? >> absolutely. my daughter casey has a half brother she is very close to. i say to all of them, you are a team. you have each other through life. you are a team. you do a lot of things together as the 2 families, very, very close. >> this seems like a good moment to open up any question that is you all may want to ask about the writing process, about siblings, anything else. >>>> is there something you could read to us from the book that you would feel that we wouldn't understand unless you read it? >> you have any ideas? >> it is a real sort of testish. she has put it t
or sister right next to us. no one with could be closer. there is that pull. that pull is so powerful. it was a love story, always. >> do you think you knew that before you started writing this? >> i knew i had to be as close to my brother as i could possibly be. i am sure that pull is part of it. >> you have a daughter and stepson as well? >> i have 1 daughter and 1 stepson who i am close to. >> has this changed how you are around them as well? >>...
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>>nature -- >> (speaking spanish). >> that will live us food, take care of us and receive us before we die. >> (speaking spanish). >> we also have this and movement of work. >> (speaking spanish). >> or conversation. >> (speaking spanish). >> which is the key to receive love. >> (speaking spanish). >> and all these type of movements were followed by this style of dance with its own co n coring on gravy. >> >> (speaking spanish) (music). (applause). >> can you play the music please? >> i want to dance with everybody. >> well, he's not there. (music). >> okay do you have any questions? we need to have some minutes and would like to answer some questions. yes? >> (inaudible). >> is it hard to dance? >> (speaking spanish). >> it's not difficult. you just got to put a lot of effort into it. and okay so we're teaching classes at the cultural center on saturdays from two to three we teach cajon and three to four we teach dance. >> (speaking spanish). >> (inaudible). >> (speaking spanish). >> yeah it does. >> (speaking spanish). >> (inaudible). >> (speaking spanish). >> but it will change, yes
>>nature -- >> (speaking spanish). >> that will live us food, take care of us and receive us before we die. >> (speaking spanish). >> we also have this and movement of work. >> (speaking spanish). >> or conversation. >> (speaking spanish). >> which is the key to receive love. >> (speaking spanish). >> and all these type of movements were followed by this style of dance with its own co n coring on gravy. >> >>...
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. >> so they use the surroundings and big jars and they used to have water or other type was drinks. >> (speaking spanish). >> covered with leather skin. >> (speaking spanish). >> and they make the drums. >>. >> (speaking spanish). (drums). (applause). >> (speaking spanish). >> this instrument is called dungo. >> spr (speaking spanish). >> we have two but only one was used. >> (speaking spanish). >> this is one that was used north of the capital. >> (speaking spanish). >> in the cities of the country >> (speaking spanish). >> when he was a child he was able to see those instruments and on extension today. (drums). (applause) . >> this is a donkey's jaw. it could be a horse or a donkey. >> donkey's jaw. >> and it's played by spiking it and to make the rattle sound and also creates this. (applause). >> (speaking spanish) sorry. (speaking spanish). >> this is the kahita and it is created as the -- i don't know that word. how do you say that? the piggy bank. you know where the boxes and the churches collect money? yeah. this is the original he here. yeah. >> (speaking spanish) (laughing)
. >> so they use the surroundings and big jars and they used to have water or other type was drinks. >> (speaking spanish). >> covered with leather skin. >> (speaking spanish). >> and they make the drums. >>. >> (speaking spanish). (drums). (applause). >> (speaking spanish). >> this instrument is called dungo. >> spr (speaking spanish). >> we have two but only one was used. >> (speaking spanish). >> this is one that...
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. >> read it to us. >> only people from brooklyn uses the word geez. your letter doesn't have a single worthwhile sentence in it. i will not buy you any notebooks. i repeat no notebooks. but i will send you decals that are not to be placed in my room, around my room or on the window of my car. >> okay. who was this guy? and why did you set out to tell this story? >> this guy was my fantastic, magnet, bossy, difficult, older brother carl. he was the red state to my blue state. all you have to understand to know about how complicated and difficult this relationship was my first memory of my brother was with when he sail me out a window when i was 2 years old and in the san antonio emergency room with a cut on my eye brow. he gave me the gift of a hard head. he went from there to being the youngest member of the john berk society and coming into my room to smash my joan biaz records because she was on the list. he was complicated, but saying all of that he was mysterious. he grew up to be a trial lawyer turned apple orchardist. part of the madening siblin
. >> read it to us. >> only people from brooklyn uses the word geez. your letter doesn't have a single worthwhile sentence in it. i will not buy you any notebooks. i repeat no notebooks. but i will send you decals that are not to be placed in my room, around my room or on the window of my car. >> okay. who was this guy? and why did you set out to tell this story? >> this guy was my fantastic, magnet, bossy, difficult, older brother carl. he was the red state to my blue...
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us honor you today. tony bennett day in san francisco. once again, for the man of the hour. [applause] thank you all so much for celebrating with us today. happy valentine's day. we will see you at the ballpark. ♪ >> welcome to hamilton recreation and aquatics center. it is the only facility that has an integrated swimming pool and recreation center combined. we have to pools, the city's water slide, for little kids and those of you that are more daring and want to try the rockslide, we have a drop slide. >> exercises for everybody. hi have a great time. the ladies and guys that come, it is for the community and we really make it fun. people think it is only for those that play basketball or swim. >> i have been coming to the pool for a long time now. it is nice, they are sweet. >> in the aquatics center, they are very committed to combining for people in san francisco. and also ensuring that they have public safety. >> there are a lot of different personalities that come through here and it makes it v
us honor you today. tony bennett day in san francisco. once again, for the man of the hour. [applause] thank you all so much for celebrating with us today. happy valentine's day. we will see you at the ballpark. ♪ >> welcome to hamilton recreation and aquatics center. it is the only facility that has an integrated swimming pool and recreation center combined. we have to pools, the city's water slide, for little kids and those of you that are more daring and want to try the rockslide, we...
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he had a better eye, he had been watching this much longer than us. but then we started to see the glow. and then the orb of the moon rose into this narrow gap between two twin towers looking north into the rocky mountains. and as that happened, i turned around and as the south -- and i see out of the rocky mountains, i could see a gap where the piedro river flows south and through that gap i could see the desert of northern new mexico and just over the horizon, just about 120 miles away, is chaco canyon, the largest anastazi site in the southwest, just over the horizon. and in between these towers and chaco canyon there are fire signal stations up on top of buttes. every fire signal station is in view of two other signal stations. each of those, four, on and on and on so that a fire would be lit at one spot and everybody would know, you could send messages for hundreds of miles. you could send messages over mountain ranges. there are fire signals all over the four corners, rows and fire signals. i talked to the guy who first discovered these signals
he had a better eye, he had been watching this much longer than us. but then we started to see the glow. and then the orb of the moon rose into this narrow gap between two twin towers looking north into the rocky mountains. and as that happened, i turned around and as the south -- and i see out of the rocky mountains, i could see a gap where the piedro river flows south and through that gap i could see the desert of northern new mexico and just over the horizon, just about 120 miles away, is...
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with us. first, at the police commission president, thomas mazzucco, commissioner kingsley, paul henderson from the mayor's office as representing because the mayor was unable to come tonight. also, we have commissioner loftus. also, the command at steep. d staff. deputy chief james that lake, lyn tomioka, leanora militello, and next to lyn commander biel, corrier from field comman. i would like to introduce chief grigory p. suhr. >> good evening, and hopefully lyn still wants to be your boss tomorrow. i know it is quiet and there are a lot of kids in the room. that is terrific. the medal of valor ceremony is the best event that we get to attend. it is when there is a crisis, emergency, extreme danger and takes everything you have to go forward, and everyone else that would want to run away, the people you will hear about tonight not only went forward, but they stood their ground, they saved lives, they promoted public safety, and i have been attending the medal of valor ceremonies as a captai
with us. first, at the police commission president, thomas mazzucco, commissioner kingsley, paul henderson from the mayor's office as representing because the mayor was unable to come tonight. also, we have commissioner loftus. also, the command at steep. d staff. deputy chief james that lake, lyn tomioka, leanora militello, and next to lyn commander biel, corrier from field comman. i would like to introduce chief grigory p. suhr. >> good evening, and hopefully lyn still wants to be your...
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sign your is, until the big one kills us all" -- [laughter] "andy." andy is with us, too. andy lives in the haight. right there. thank you for your love letter to the city. now, i believe we are ready to take a trip down memory lane and check out some of those san francisco landmark that you have made famous, mr. bennett, with your incredible voice and visit some of your longtime friends who also want to pay tribute to you today. >> dear tony, we are here to celebrate the 50th anniversary of the recording of your song and our son, -- song, "i left my heart in san francisco." what better place to be then the fairmont hotel in san francisco where you first sang your song, our song, in the venetian room? i'm going to meet you in places where you have helped us celebrate the city by the bay, so follow me down memory lane. >> ♪ going home to my city by the bay ♪ >> toni, you have been an integral part of my life, and i get emotional because it was a wonderfully happy time. so i want to thank you. >> hello. you are at the home of the little cable cars that climb halfway to t
sign your is, until the big one kills us all" -- [laughter] "andy." andy is with us, too. andy lives in the haight. right there. thank you for your love letter to the city. now, i believe we are ready to take a trip down memory lane and check out some of those san francisco landmark that you have made famous, mr. bennett, with your incredible voice and visit some of your longtime friends who also want to pay tribute to you today. >> dear tony, we are here to celebrate the...
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the guy who dropped us off has the proclivity for picking up dangerous animals. i don't recommend it. it was kind of a terrifying experience to have somebody pick up a rattlesnake and go look at it, look at it, and put it right in your face and you are going, no, no, no thanks especially when he was the one driving around and leaving you out there to walk barefoot across the sand. out there where at times you are carrying 100 pounds of water, where you are carrying water in your hands, you are carrying water on your back, everything is about waterity there. you bury your water, you pick up your water, you strap it to your body. i remember on one of the trips carrying all this weight on my back and not sure why i had all this weight on my back. it was making me so clumsy, it was dragging me around and i started trying to unclip it and unbuckle all this stuff that i was carrying out on the dunes so i could get rid of it finally until i realized, wow, you have really put a lot of buckles on this. you didn't want this stuff off you. it's water. don't drop your water.
the guy who dropped us off has the proclivity for picking up dangerous animals. i don't recommend it. it was kind of a terrifying experience to have somebody pick up a rattlesnake and go look at it, look at it, and put it right in your face and you are going, no, no, no thanks especially when he was the one driving around and leaving you out there to walk barefoot across the sand. out there where at times you are carrying 100 pounds of water, where you are carrying water in your hands, you are...
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and california used to have an education system that was the envy of the nation. how do you feel we get that back? >> well, it is a tragedy that what used to be one of the top systems in the country is now i think, 47th according to a recent standard that i saw. the senator and folks in his party in sacramento believe that spending more is the answer. that is clearly not the case. i think that los angeles county they spent $9,000 per student in public school system. the average cost of private school $6,000. i support the voucher system that allow the parents to put the children in charter schools, private schools, what we cannot escape is that the school system is broken, again, let's ask the senator, why did the senator support, why did the senator oppose legislation that one of his fellow democrats proposed that would remove dangerous teachers that were convicted of crimes from the classroom and from the public roles? i would like to know the answer to that. >> thank you. mr. leno. >> the 47 out of 50 states figure that miss dillan used is not in educational ou
and california used to have an education system that was the envy of the nation. how do you feel we get that back? >> well, it is a tragedy that what used to be one of the top systems in the country is now i think, 47th according to a recent standard that i saw. the senator and folks in his party in sacramento believe that spending more is the answer. that is clearly not the case. i think that los angeles county they spent $9,000 per student in public school system. the average cost of...
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current use, and the usability of the units before, during and after unit merger. there is no information on the size of the building, two floors individually and together which is a major omission to even talk about livability and comparable which we often look at how far we -- when someone wants to merge various buildings into one. using the criteria by which we need to look at unit mergers, the common denominator which we agreed on. however that particular project has as i recall the existing condition as part of the middle; this project [indiscernible] only talks about the dream layout, i asked that we continue this project and look at it for that particular information to compare apples to apples. it would be less, easier for us to determine what it really it is that we are merging and reconsider doing that. i'm not opposed to consider it. am not prepared to consider it based on what is in front of me. >> commissioner antonini. >> i'm confused here. i am looking at the plants. we are looking at what exists now. it was merge many years ago. what was presented a
current use, and the usability of the units before, during and after unit merger. there is no information on the size of the building, two floors individually and together which is a major omission to even talk about livability and comparable which we often look at how far we -- when someone wants to merge various buildings into one. using the criteria by which we need to look at unit mergers, the common denominator which we agreed on. however that particular project has as i recall the...
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it made me aware of how to use language. not to over use language. you know things like that that aspects of it. i talk a lot about the writing process for a lot of reasons because i think that if you tell what it really means to be a writer people will think oh , it's not -- i think to a large extent you all think we run with the bulls. you know and you think we are sitting in cafes and i can never write in a cafe because i would watch people too much. how can you sit in a cafe and write a novel? we all have our process. i think the interesting things to talk about is the process how you do it because we all do it differently. i don't run with the bulls or sit in cafes. this is the way i do it. there are many ways to do it and you have to find your own way. >> around the web i googled through me to see what it looked like i saw the big bridge and it looked industrialized. >> there really is love. >> i did. a real place and how you pick the location. i have family in japan and my kids are are in a bilingual program in san francisco that's japanese. >
it made me aware of how to use language. not to over use language. you know things like that that aspects of it. i talk a lot about the writing process for a lot of reasons because i think that if you tell what it really means to be a writer people will think oh , it's not -- i think to a large extent you all think we run with the bulls. you know and you think we are sitting in cafes and i can never write in a cafe because i would watch people too much. how can you sit in a cafe and write a...
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item before you is a discretionary use. proposals to legalize conversion of the subject building from a two unit building to a single-family building; no other work is proposed. staff as well as a proposal base of the five criteria outlined in section 317, it meets two of the five requirements; the project meets its first two requirements in the the subject property is occupied by the property owner and on or plans to occupy the premises after the conversion. regarding criterion three, when the removal of units will bring the closer units of conformance with prevailing density, the proposal does not meet the criteria. the three area port if you official determination of the legal number of units in the building the assessor records are not considered the official determination of the legal number of units nor is a number of mailboxes the property may have. i have confirmed the zoning administrators that the methodology is correct; regarding criteria four, whether removal of the unit it does not meet this criteria. the presc
item before you is a discretionary use. proposals to legalize conversion of the subject building from a two unit building to a single-family building; no other work is proposed. staff as well as a proposal base of the five criteria outlined in section 317, it meets two of the five requirements; the project meets its first two requirements in the the subject property is occupied by the property owner and on or plans to occupy the premises after the conversion. regarding criterion three, when the...
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he used his knife to reach into the car and cut it. the heat was so hot his face was burning. it scorched his face and hair. he did not retreat. he went into the vehicle and remove the individual from the vehicle. as soon as they got away to safety, the vehicle exploded. the fire department is still not on scene. before they arrived there was a taxicab driver who had attempted to break the window and he was unable to and it got so hot that he retreated. these men did not retreat. they did not hesitate. they did not think about running. to this day, this person is able to wake up in the morning and look at his family. for that break, you are being given the silver medal of valor. [applause] capt. eric vintero and officers heppler and carrasco. >> good evening. i would like to introduce officer troy carrasco and william elppler, october 3, 2011, police dispatch put out a call of the stabbing that had just occurred. several richmond units began responding to the scene. officer robert long are right first in salt a suspect standing in front of 16th avenue. he saw he was holding hi
he used his knife to reach into the car and cut it. the heat was so hot his face was burning. it scorched his face and hair. he did not retreat. he went into the vehicle and remove the individual from the vehicle. as soon as they got away to safety, the vehicle exploded. the fire department is still not on scene. before they arrived there was a taxicab driver who had attempted to break the window and he was unable to and it got so hot that he retreated. these men did not retreat. they did not...
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some groups have not wanted to work with us. some groups are bigger than us. we might be stealing their intellectual property. we do not feel that way. we have openly shared the best practices. i think that having those tools is one part. having good people behind it is another. from year to year thinking through how of the event will sustain itself is important. frankly, i think that some of those events moved away because there were opportunities better than what san francisco was offering. we can talk to how -- talk about how to award events that are doing well. financially, etc. we should try to look at ways to reduce the costs. >> can i jump in? i did not mention that i was a deejay, because that is not newsworthy, but i am part of the team that puts that on. to clarify, we moved to oakland last year because we really did not feel welcome in san francisco. the hurdles put in front of us to do our event were so extensive, it became impossible to produce a successful the event. sadly, that happened again this year. hopefully we can come back next year. than
some groups have not wanted to work with us. some groups are bigger than us. we might be stealing their intellectual property. we do not feel that way. we have openly shared the best practices. i think that having those tools is one part. having good people behind it is another. from year to year thinking through how of the event will sustain itself is important. frankly, i think that some of those events moved away because there were opportunities better than what san francisco was offering....
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they are safe inside us. neither shift of wind nor sun's cruel wrath can force us from our charge into the endless night we stand our ground monolithic protectors of the broken spirit. 3. there was a place sacred beaconed by time. i remember. the new born grass trampled beneath the earth. no one else should die here. there was a flash, no, 2 secrets locked in a fire ball. the shift of wind the sudden weight of blue heat formless days worn past, changed since the coming of endless night. >> and my last poem -- speaks to world events. and now i'm also thinking about the atrocities in berma. called the world i leave you. once there were 2 towers then there were none. i searched among the rubble for bones of men. what kind of world i leave you, what's human left of race? what more can i give you to resurrect your faith? smiles, i give and laughter like rain, flakes of snow that gently splay against the window pain. light transformed to rainbow, sweat from a dancer's brow. giggles of rivers running down mountains,
they are safe inside us. neither shift of wind nor sun's cruel wrath can force us from our charge into the endless night we stand our ground monolithic protectors of the broken spirit. 3. there was a place sacred beaconed by time. i remember. the new born grass trampled beneath the earth. no one else should die here. there was a flash, no, 2 secrets locked in a fire ball. the shift of wind the sudden weight of blue heat formless days worn past, changed since the coming of endless night....
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i urge you to deny the conditional use of the open space. safety; there is a rigid commitment to new curb cuts; i was almost hit this morning, i can't imagine what it would look like when there entry and exits from walgreens and from the building running into each other. turning different ways in the kind of crazy street. i ask for your consideration of keeping those curb cuts on market streets and moving the entrance for safety. >> thank you very much. >> commissioners again peter cohen; we have a letter on file with the staff referred to, fully endorsing this project. i will get into a few of the issues we talk about but listening to deputy speaker i appreciate when other folks in the community come to you who are not professionals of the lectern; those are real, that's the experience people have. reflecting an everyday experience, and doing the best possible, to try to make the project addresses issues rather than falling back on planning code and design guidelines and professional stuff. i implore you to take that seriously. we spent a l
i urge you to deny the conditional use of the open space. safety; there is a rigid commitment to new curb cuts; i was almost hit this morning, i can't imagine what it would look like when there entry and exits from walgreens and from the building running into each other. turning different ways in the kind of crazy street. i ask for your consideration of keeping those curb cuts on market streets and moving the entrance for safety. >> thank you very much. >> commissioners again peter...
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thank you for joining us. let's start by talking about your background, where you grew up. >> i grew up in sacramento, california, in the south area. went to public schools. ended up in uc-davis. made my way out to san francisco when i was a college student, and i sat in the class is in san francisco state as well, and i remember growing up at that time around clement street. we call the richmond district the new chinatown in the 1980's at that time. just being around the tremendous unique neighborhood, and discovering san francisco in the 1980's as i grew up, but i also have been very active as a community organizer. i worked in chinatown, and some first jobs also at the mental health center in the richmond area multi services in the 1980's, and i was also a staff are at the chinatown youth center -- i was also a staffer. a lot of my work has been supporting community empowerment, especially in an immigrant and people of color communities. most recently, i have been teaching at san francisco state. i ran the
thank you for joining us. let's start by talking about your background, where you grew up. >> i grew up in sacramento, california, in the south area. went to public schools. ended up in uc-davis. made my way out to san francisco when i was a college student, and i sat in the class is in san francisco state as well, and i remember growing up at that time around clement street. we call the richmond district the new chinatown in the 1980's at that time. just being around the tremendous...
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and none of us like it if you had it or we tolerate it because we have to. i happen to be allergic, lucky for me! but now i sing this song because that's all i can do. put your hands together again. [music] ♪[laughter] >> a little too much. [laughter] [music] [laughter] [music] [laughter] [music] [laughter] ♪[applause] >> thank you. on the same page is our monthly actually bimonthly book club that the library sponsors. this month, march, the book of the month is the samari gardens. how many are you have read this book in >> that's fabulous and gale is blushing in front of me. it's my pleasure to introduce gale. gale was born and raised in san francisco. her combined ancestory a chinese mother from hong kong and japanese father from hawaii gave her a unique asspect much the language of threads, dreaming water and others. please, help me welcome gale sukiama. [applause] >> so that means if you have read the book you will not be buying the book? [laughter]. i'm always feel a little embarrassed because i looked back and i kept think thanksgiving book was pub
and none of us like it if you had it or we tolerate it because we have to. i happen to be allergic, lucky for me! but now i sing this song because that's all i can do. put your hands together again. [music] ♪[laughter] >> a little too much. [laughter] [music] [laughter] [music] [laughter] [music] [laughter] ♪[applause] >> thank you. on the same page is our monthly actually bimonthly book club that the library sponsors. this month, march, the book of the month is the samari...
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it tells us what to do with our feet and our bodies and there is a lot of mask going on. you will hear patterns and they will be repeated often 3 times this is a t high. i want you to try to listen for the patterns and see if you can figure out the number patterns. you will see a justure called salon. you remember the greeting namatse? >> good. salom is the muslim greeting. you take your right hand, say a salom. it's a muslim greeting and you will see the dancers say this and it means peace be with you and the king and to all of you this is taught. [applause] >> so, did anybody hear math? anybody hear any math? yes. >> i thought the 1, 2, 3, 4 pattern. >> good. >> that's counting in hindu. you know how to count to 4. see. 1, 2, 3, 4, 5. 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. >> pause. >> 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. pause. >> that's a rhythmic pattern that repeats itself 3 times about did you know we are doing multicasion and dividing up here? you didn't. so, this music we are dancing on is rhythmicly complicated the underline rhythmic does not go in a straight line. it goe
it tells us what to do with our feet and our bodies and there is a lot of mask going on. you will hear patterns and they will be repeated often 3 times this is a t high. i want you to try to listen for the patterns and see if you can figure out the number patterns. you will see a justure called salon. you remember the greeting namatse? >> good. salom is the muslim greeting. you take your right hand, say a salom. it's a muslim greeting and you will see the dancers say this and it means...
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thank you for talking with us. what's the next episode when we will return with a number of our 11 city supervisors. ♪ >> hello and "welcome to meet your district supervisor. we're here with david chiu from district 3. that includes chinatown, fisherman's wharf, and part of the russian hill neighborhood. he was elected to the board in november of 2008 and has served as board president since january of 2009. we will get to know him and talk about the toughest issues facing them. thank you for joining us today. tell us about your background. >> my parents immigrated to the united states in the 1960's. i was the first kid born in the u.s. my parents sacrificed everything so that their kids could have the opportunities that they wanted when they came here. i grew up in the boston area and lived in different parts of boston. i went to catholic price school in dorchester, a section of boston. -- i went to catholic high school in dorchester, a section of boston. because of my parents, my brothers and i were all blessed
thank you for talking with us. what's the next episode when we will return with a number of our 11 city supervisors. ♪ >> hello and "welcome to meet your district supervisor. we're here with david chiu from district 3. that includes chinatown, fisherman's wharf, and part of the russian hill neighborhood. he was elected to the board in november of 2008 and has served as board president since january of 2009. we will get to know him and talk about the toughest issues facing them....
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i know some of us had issues with our abc licenses and some of us do not. i will bring to the stage the director of the california state of all beverage control, who has agreed to take a couple of questions after its presentation. if any of you have questions for the abc, you can come to the microphone down at the end of the aisle. keep your questions short and concise. please welcome jacob out cosmit from california alcohol and beverage control. [applause] >> thank you for having me here today. it is a real honor. i was born and raised in berkeley. a big moment in my life was taking the transit over to san francisco for my first show, which was the specials. when i was a young, poor person in san francisco, which most young people in san francisco at least at that time were poor, just because of the cost of living here. i used to go to all of the clubs and places. my dream was to when they appear on stage at one of them. the closest i ever came was to putting my name on the open mike list at the old -- the open market from its at the elvis crossed. [laught
i know some of us had issues with our abc licenses and some of us do not. i will bring to the stage the director of the california state of all beverage control, who has agreed to take a couple of questions after its presentation. if any of you have questions for the abc, you can come to the microphone down at the end of the aisle. keep your questions short and concise. please welcome jacob out cosmit from california alcohol and beverage control. [applause] >> thank you for having me here...
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their voices leading us on. as the water lapped around me i saw a man the father of a school friend walk straight into the ocean he never turned back. one moment he was there and in the next he was swaulode by the sea. one woman took a knife and slashed her wrists. i remember how the bloodstreamed down her arms. she turned toward me with a strange smile handed me her knife. it felt so light. i looked down and saw it covered with the woman's blood. i wanted to scream and saw i lost my voice. don't be frightened, the old woman said, find the knife and end your misery return honor to your family. i know i didn't have the courage of the woman dying before me. when she reached toward me i pushed her back and she fell to our knees crying out for me to end her life as the waves washed over her. i began running. i ran and ran away from the beach and all the death and dying. now i don't remember what i was thinking. the greatest honor i could have given my family was that was my death and i ran from it. i was frightened
their voices leading us on. as the water lapped around me i saw a man the father of a school friend walk straight into the ocean he never turned back. one moment he was there and in the next he was swaulode by the sea. one woman took a knife and slashed her wrists. i remember how the bloodstreamed down her arms. she turned toward me with a strange smile handed me her knife. it felt so light. i looked down and saw it covered with the woman's blood. i wanted to scream and saw i lost my voice....
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the twin rivers have already called for us a history. our poets have already explained to us the desert. by what right have you come? who have you have seen the rustic crane in the tree, no chimes but for its delicate wide beak, ushers an intemperate reprieve? 33 beads on a string, why pretend to know beyond the presence of click. thank you. please welcome gale sher >> the first one is why did she care? why did she care, she wondered, laying aside the book. a dim light could be seen possibly from a cabin reaching in not for the word, but for the space which a time. fat drops driven violently side ways. the man's mind into which she tossed herself becomes a bird. fly away, bird. fly south where you are needed. letters moved, she could barely make them out. the sky moved, hanging bluntly. a circle swayed toppled to the sea. to you, sea, i chant and to the one with ears, hearing you into me. this one is called, having eaten fish. having eaten fish, i open myself to make them more comfortable. i pet the fawn, twisting my calves. two fish lea
the twin rivers have already called for us a history. our poets have already explained to us the desert. by what right have you come? who have you have seen the rustic crane in the tree, no chimes but for its delicate wide beak, ushers an intemperate reprieve? 33 beads on a string, why pretend to know beyond the presence of click. thank you. please welcome gale sher >> the first one is why did she care? why did she care, she wondered, laying aside the book. a dim light could be seen...
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there's no conditional use requirement to have this. a lot of people today want to have food, drink, and be able to have some music. how can we get the limited live entertainment excluded from the know amplified or no live entertainment excluded on the transfers? >> that is going to mostly driven locally. most of the conditions you'll ever see on an abc license are because we rely, to a great extent, on the police department and local officials to determine what is best for their communities. i'm not trying to pin this on you guys or blame you guys, but we do try to work with you. we do not tend to want to overrule the police department very often. now that said, i get a fair number of petitions and appeals to me. typically, they are from the neighbors. i want to see that there is actually a practical problem posed -- that the condition is there to solve, not that this is the way the things have been or maybe there's someone who is satisfied by what is potentially wrought by having live entertainment. it is always a case by case. genera
there's no conditional use requirement to have this. a lot of people today want to have food, drink, and be able to have some music. how can we get the limited live entertainment excluded from the know amplified or no live entertainment excluded on the transfers? >> that is going to mostly driven locally. most of the conditions you'll ever see on an abc license are because we rely, to a great extent, on the police department and local officials to determine what is best for their...
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these values that are important for us. the collaborator is just an incubator, but we're trying to put a new twist on this with the landlord-tenant relationship and there really no better place to do this and to be part of the growing bioecosystem it than here in mission bay of the whole point of this is to have tenant companies, start-up companies that want to partner with bayer with proximity to our research groups in this building and in addition, can access the global expertise of bayer scientist, as well as the infrastructure that bayer brings and dr. bush mentioned that we have had for 150 years. we are also looking to put companis in the collaborator that are not necessarily partners yet, but again, what better way to find proper probings to work on than having scientists in the same building interacting with each other? as we'll open up the space for tours the collaborator is an open-floor space that encourages interact between the start-up companies in the space. but more importantly what it brings to mission bay i
these values that are important for us. the collaborator is just an incubator, but we're trying to put a new twist on this with the landlord-tenant relationship and there really no better place to do this and to be part of the growing bioecosystem it than here in mission bay of the whole point of this is to have tenant companies, start-up companies that want to partner with bayer with proximity to our research groups in this building and in addition, can access the global expertise of bayer...
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among us. in the sunken spring as in winter and fall and every season that our teak of spring with souro and jubulation are fragile hearts are as children grabbing drink tumblers spilld and milky. teach finger
among us. in the sunken spring as in winter and fall and every season that our teak of spring with souro and jubulation are fragile hearts are as children grabbing drink tumblers spilld and milky. teach finger
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take this opportunity to use the west -- the restaurant and find your own way. thank you. -- rest room and find your own way. thank you.
take this opportunity to use the west -- the restaurant and find your own way. thank you. -- rest room and find your own way. thank you.
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need of them having a child, and needing financing is basically the reason why they are in front of us. they could operate -- that the previous owner could give them full financing for the last the project. an untenable situation. we should send a strong message but that is not acceptable. >> i agree with that, i don't know what we could do but we have a lot of units; as many as 20,000 units out of compliance. i wish i could figure out a way to get a handle of those. we don't know how many units we have to work with. as a policy consideration, i would love to have a hearing, and a conversation on this topic, to figure out how to encourage people to bring units to confirmity to what they were supposed to be. it is a challenge. this project sponsor had nothing to do with emerging this unit; this was merged 20 years ago. this project needs to be resolved. otherwise, the benefit to the city and a personal view and not approving this project is you probably have a building that sits vacant for many more years. if the person who has the building now can't afford to invest the money and creat
need of them having a child, and needing financing is basically the reason why they are in front of us. they could operate -- that the previous owner could give them full financing for the last the project. an untenable situation. we should send a strong message but that is not acceptable. >> i agree with that, i don't know what we could do but we have a lot of units; as many as 20,000 units out of compliance. i wish i could figure out a way to get a handle of those. we don't know how...
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that we're us on the clock and time is of the essence. i would like to invite the other four speakers up to help me start the clock, that will be a reminder of what i mentioned. 3, 2, 1 ! >> is it working? >> yes, it is. [ laughter ] >> it is working. trust me, it's working. trust me, it's working. [ laughter ] so in a few minutes we'll be opening up the doors to the building over there behind the registration desk. and i welcome you to come in and take a look at the space. and ask any questions of colleagues that are in there. thank you very much for coming. >> [applause]. we have a very special guest. [inaudible] is here with us tonight. [inaudible] dancing. step dancing which we are familiar with. you may have seen this before. this will be a treat. [applause]. >> someone once told me this was from scandanavia. this is a different version. about 2 sisters that fall in love with the same guy. it didn't work out too well. one of the sisters throws another one into the raging water. he fashions her body into a fiddle, into a violin. this
that we're us on the clock and time is of the essence. i would like to invite the other four speakers up to help me start the clock, that will be a reminder of what i mentioned. 3, 2, 1 ! >> is it working? >> yes, it is. [ laughter ] >> it is working. trust me, it's working. trust me, it's working. [ laughter ] so in a few minutes we'll be opening up the doors to the building over there behind the registration desk. and i welcome you to come in and take a look at the space....
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lost our way some years back, we got a strong governor who is experienced and i believe is getting us back on track. i want to be able to work with him and have the privilege to represent this district, again for a second term. so that we can continue the good work that we started. thank you. >> dillan >> i am a first generation immigrant and i came from india and from the south, and i am a civic attorney and i believe in the american dream and as it is exercised here in the beautiful city of san francisco and the state of california where i chose to live, but many california voters are voting with their feet and they are voting with their feet to leave the state of california. they are moving to nevada, texas and other parts of the country where they are less taxed and regulated and less burdened by rules such as calorie count on the menus such as the regulations regarding home care workers, it does not make sense to start a new business here in california. and frankly that is where the taxes come from in most states they come from businesses. as the businesses flee you are going to
lost our way some years back, we got a strong governor who is experienced and i believe is getting us back on track. i want to be able to work with him and have the privilege to represent this district, again for a second term. so that we can continue the good work that we started. thank you. >> dillan >> i am a first generation immigrant and i came from india and from the south, and i am a civic attorney and i believe in the american dream and as it is exercised here in the...
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i am looking at where we are 25 years later in the bay area, looking at how hard it is for us to strive to keep our theater is going, etc. i like to think that i'm not struggling quite as hard, personally, but what i mean by that, the intention, the commitment. particularly, to produce works that would not be produced in other places, and also to really nurture women of color artists.
i am looking at where we are 25 years later in the bay area, looking at how hard it is for us to strive to keep our theater is going, etc. i like to think that i'm not struggling quite as hard, personally, but what i mean by that, the intention, the commitment. particularly, to produce works that would not be produced in other places, and also to really nurture women of color artists.